Friday, December 14, 2012
Sean Richard explores the Korean Wave in new Discovery Channel series
With the phenomenal global success of Psy’s “Gangnam Style”, a lot of attention is now focused on the equally popular K-Pop genre.
The so-called Korean Wave has been around for more than a decade, providing a diverse offering of increasingly popular entertainment. Unlike Psy, its most popular entertainer today, the Korean Wave is certainly far from being an overnight sensation.
This is what “Korea Next”, a new series from the Discovery Channel, aims to explore in detail in five documentaries that will air starting December 16. Created by the winners of Discovery Channel’s First Time Filmmakers (FTFM) Korea, the premiere of “Korea Next” will showcase the heart and soul of Korean culture, cuisine, medicine, entertainment and technology.
One of these filmmakers is Sean Richard, a half-British and half-Korean actor who only moved to Korea in 2007. Richard will present “Finding Hallyuwood”, an episode that zeroes in on the inner workings of the Korean entertainment scene. So why does he call it “Hallyuwood”?
“The word ‘Hallyu’ is Korean for “the Korean Wave”. I wanted to do a play on words. Instead of saying “Hollywood”, I wanted to say “Hallyu-wood”, because I do feel like Seoul is just like – you know, Hollywood for the States is this hub of entertainment in Asia,” Richard told InterAksyon and other Asian journalists during a recent roundtable teleconference to promote the show.
“I wanted to make a point of it. I didn’t want to just make a documentary about, ‘Look how popular everyone is, and let’s just show screaming fans in Europe for Super Junior, and things like that,” he added.
In his documentary, Richard talked directly and in a very intimate way with the actual artists who are responsible for this Korean Wave. They include rapper Tiger JK, singer Yoon-Mirae and the manager of popular girl group Kara, who happen to be the rivals of 2NE1, another all-girl group where Sandara Park (known as Dara in Korea) is a member.
These artists did not just talk about how popular everything is, but they also provided some criticism and concerns as to how the Korean Wave will continue in the future.
“So I think in that way it will give viewers, especially foreign audiences, some interesting insider’s looks into this phenomenon right now”, he concluded.
Richard, who immediately starred in Korean dramas that rapidly found thier way in dubbed format in other countries including, yes, the Philippines thinks there’s definitely something special going on right now in his country.
“I definitely don’t think it’s going to go away. It’s been a blessing for me to be a part of the Korean Wave. I came in 2007 when the wave was going on, like basically the TV drama wave was at its prime at that time. But then right after, a few years later we had the K-Pop boom.
“And so the thing about Korea is that it’s always reinventing itself, and always giving something new to the world. And so just they’re constantly changing and finding new things to show.”
Asked to comment what to make of the huge overnight success of Psy and “Gangman Style”, Richard said he’s not surprised that people think of it as a “definite phenomenon”.
“I just checked, Psy has about over 945 million views on You Tube. I mean, I don’t think it’s something anyone really even believes right now is definitely going on. Especially in Korea, just it’s Psy every day on the news. You know, everyone’s so proud of what he’s done,” he enthused.
Of course, Richard, who was raised in the US, also wanted to present a bigger picture of what the Korean Wave is also about. So he also followed the conceptualization and training process of B.A.P., a rising six-member hip hop South Korean all-male act.
He also investigated the creation and production of a Korean television drama that revealed a deeper truth and critique of the Korean attributes that have made Hallyu what it is today. In the course of filming the project, one thing stood out to him.
“There is something special about being Korean. Usually artists are about being individuals and expressing themselves, but it’s funny that no matter what kind of job you’re doing, like I said you could be a chef, an athlete or a singer or anything, but if you’re Korean, then it comes back to representing your country. And you don’t see that kind of mentality a lot but it’s really strong in this country,” he observed.
“That was interesting for me, because I came from the States, it’s like a melting pot, you don’t see American stars going around the world trying to promote their country, right?
“But Korean stars are very much – you know, it’s K-Pop, that’s like Siwon Choi from Super Junior, he said like the word intrinsically is so interesting, because ‘K-Pop’ means ‘Korean Pop’, it’s another representative of Korea, you know? So it was really interesting to immerse myself in that mentality when I was doing this documentary.”
“Korea Next” premieres on Sunday, December 16, with two 30-minute episodes airing back to back from 10PM. Encores every Monday at 9AM and 3PM, and Saturday at noon.
source: interaksyon.com
Thursday, October 18, 2012
Gangnam fever ‘just the beginning’ for new Korean wave
BUSAN, South Korea – The phenomenal success of “Gangnam Style” is just the start of a new surge of attention for Korean entertainment, according to the man responsible for some of South Korea’s biggest films.
“When you look at Korean music or Korean films they are very Hollywood-like in terms of production standards,” said producer Jonathan H. Kim, speaking on the sidelines of last week’s Busan International Film Festival.
“There’s also a degree of people from other countries looking at Korean movies and saying ‘Wow: their values are similar to ours’.”
A 30-year veteran of the Korean film industry, Kim has been behind five of his country’s 50 biggest box office hits. Among them is war epic “Silmido” (2003), the first film to attract more than 10 million viewers in South Korea.
As well as producing films, Kim is a business advisor to the sprawling CJ Entertainment & Media group, South Korea’s largest in terms of film production, investment and distribution.
He also hosts seminars on investing in its entertainment industry and its potential for growth at home and beyond.
“These films travel well because production values are very high,” Kim told AFP. “But it is also about Korean people’s passion and their impatience. If the movies aren’t great, people just leave the theater.”
Kim believes the current strength of Korean cinema – and the global appeal of Korean entertainment in general – had its beginnings in 2003, with the emergence of film directors such as Park Chan-Wook (“Oldboy”) and wildly successful TV dramas such as the drama “Winter Sonata”.
“A lot of territories saw Korean films as an alternative to B-grade Hollywood movies as they were cheaper and artistically we were getting a lot of awards from festivals,” said Kim.
Attention has been renewed, helped by the box-office success of heist-thriller “The Thieves” and the dance moves of 34-year-old rapper Psy, whose “Gangnam Style” has amassed more than 450 million YouTube hits.
South Korea’s K-pop has in the past 10 years defied language barriers to entice fans around the world, but glossy products such as Super Junior and Girls’ Generation have not won Psy’s level of global recognition.
The rapper has performed his unique horse-riding dance at the MTV awards in Los Angeles and appeared in a cameo on NBC’s “Saturday Night Live”.
“The surprise with Psy is that he didn’t try to look Hollywood. It’s pure Korean,” said Kim. “That is making a lot of people re-evaluate the Korean wave and cinema is at the forefront of that.”
The Busan festival programme was loaded with acclaimed contemporary Korean cinema, including politically edged thriller “National Security”, “A Werewolf Boy” and the recent local box office hit “Nameless Gangster: Rules of Time”.
Maverick director Kim Ki-Duk’s gritty revenge thriller “Pieta” also played in Busan, a month after taking the major prize at the Venice International Film Festival – the first time the Golden Lion had gone to a Korean production.
Festival goers packed out a special outdoor screening of the country’s new box office champion “The Thieves” which has now been seen by more than 13 million people in South Korea, reaping more than 93 billion won ($84 million). “I think the wave is just getting started,” said Choi Dong-Hoon, the director of the smash-hit heist thriller.
“Korean commercial films have their conventional characteristics but if you study them one-by-one, each of them is unique. It’s hard to compare with other countries,” he said.
“The story is usually very powerful and each character has complicated issues. I think this relates to the nature of Korean people.”
Korean cinema itself is on target for a record-breaking year.
The Korean Film Council recently announced around 120 million cinema tickets had been sold across the country by the end of the second quarter of 2012, a year-on-year rise of around 20 percent.
“I think Korean movies are becoming more exciting and vigorous,” said Choi. “Filmmakers have put a lot of effort into finding different themes to work on. As a director, I love how the cinema is doing right now and I think audiences share the same view.”
Alongside established names, the festival also showcased the works of younger talent hoping to ride the Korean wave.
Lee Donku might have only spent US$3,000 on putting together his tense thriller “Fatal” but the film was selected in the Busan festival’s main New Currents award, which offers two prizes of US$30,000 for first- or second-time Asian filmmakers.
While the cash went to Thailand’s Nawapol Thamrongrattanarit (“36″) and Iran’s Maryam Najafi (“Kayan”), Lee said he was honored to have his first film nominated and is grateful to Psy for capturing so much attention.
“I really like Psy’s “Gangnam Style” and so do Koreans,” he said. “And as other countries like his song so much, having such a passion for it, the growing interest in Korean culture is helping to attract more attention to our movies.
“As Korean culture gets more popular, it helps me as well.”
source: interaksyon.com
Monday, July 30, 2012
Korean star Lee Min-ho is newest endorser of Philippine clothing brand

MANILA, Philippines - The Korean Wave continues to make its presence felt in the Philippines.
Popular Korean actor Lee Min-ho has been signed up as the newest endorser of Philippine clothing brand Bench.
"Happy to introduce another Korean Superstar to our @benchtm family! Let's all welcome @ActorLeeMinHo!!!! #LeeMinHo4Bench," according to a tweet by Bench.
Lee Min-ho is the third Korean celebrity to endorse Bench. Last March, Bench announced that it enlisted Super Junior members Siwon and Donghae as Bench endorsers.
Lee Min-ho is one of the most popular stars in Korea. He is best known for his role as Gun Jun-pyo in the hit Korean drama "Boys Over Flowers," an adaptation of the Japanese drama "Hana Yori Dango."
"This face you've seen and loved in Korean Novelas is the latest addition to our @benchtm family! Let's all give a warm welcome to @ActorLeeMinHo!!!" posted Bench on Facebook.
He found stardom after appearing in the drama, where he played one of the lead roles. This opened the door for Lee Min-ho to become endorsers of different brands in Korea.
"Boys Over Flowers" won Lee Min-ho the best new actor in the 45th Baeksang Arts Awards and in the KBS Drama Awards in 2009.
This allowed him to play leading roles in succeeding dramas and solidify his popularity not only in Korea but in other Asian countries as well.
In 2010, he starred in the drama "Personal Taste" followed by "City Hunter" in 2011.
He won the excellence award in the MBC Drama Awards 2010. He bagged the best actor and hallyu star awards for "City Hunter" in the Korea Drama Festival Awards in 2011.
He is set to star in the new drama "Faith," which will start airing in Korea in August.
article source: mb.com.ph


